weiterbildung im doppelpack!
im ersten teil der sendung laden gilbertandgrape zu einer zeichenstunde ein.
danach gibt es noch einmal eine gelegenheit, tibetisch zu lernen.

credits und hintergrundinformationen: siehe unten

[english]

further eductation for everybody! a double feature of advanced vocational training.

in the first part of our show gilbertandgrape invite us to join a drawing lesson:

“During 2009 GilbertandGrape are closing down, reprocessing all their things and returning the Moose to the Sunset. As we do this we invite you to join us on the Radia broadcast to take part in drawing exercises. On the special Radia broadcast we will draw one of our things together with our radio broadcast audience. We will then pass the object into our local economy for further use by giving it to our nearest thrift store.

HOW TO BE WITH US DURING THIS EVENT
GilbertandGrape will sketch the object in front of the microphone. Making the drawing on a chart ruled off into many squares. Radio listeners provide themselves with a similar chart and when GilbertandGrape announce the line is going through a certain numbered square the listners can then duplicate this on their own grid.

YOU WILL NEED

1x A4 paper with 3cm grid (DOWNLOAD at www.gilbertandgrape.co.uk or draw your own)
1x pencil

Each drawing exercise takes approx 15mins.

RECYCLE YOUR DRAWINGS
Post us your drawings: Closing Down c/o gilbertandgrape, Soundart Radio, The Gallery, Dartington, Devon, TQ9 6EJ, UK or email them to drawing@gilbertandgrape.co.uk”

gilbertandgrape is a collaborative project between Helen Pritchard (UK) and Anne-Marte Eidseth Rygh (N). Established in 2003 the artists share a background in performance writing at Dartington College of Arts, UK.
Find more info at www.gilbertandgrape.co.uk

afterwards we’ll get another chance to improve our skills in speaking tibetan:

“Learning Tibetan is produced by Echo Ho and Hannes Hoelzl, collectively known as earweego.
The programme finds Echo and Hannes celebrating the Tibetan new year with Tibetans in Germany and turns into a crash course of the Tibetan language.”

Find more on (and of) earweego at www.earweego.net

credits
miss.gunst would like to thank the following artists and sound collectors:
jovica for the space machine, corsica s for some beautiful radiator sounds;
helen pritchard, anne-marte eidseth rygh and soundart, dartington, for a very special drawing lesson;
earweego and resonance, london, for teaching us tibetan;
as well as radia.fm radio art network for being a crowd of incredibly creative partners.

kunst machen (the making of art)

the making of art: die gleichnamige ausstellung in der schirn kunsthalle frankfurt verspricht, hinter die kulissen des kunstbetriebs zu blicken.
diesem vorhaben schliessen wir uns gerne an.
zusammen mit einem team von expertInnen, die derzeit als kulturforscher aktiv sind, sondiert miss.gunst die sachlage.

im studio: Chiara Freichel, Michelle Hembury, Lilli von Bebenburg und Timon Fahl.

credits & playlist: siehe unten

[english]

the making of art: the exhibition currently on show at schirn kunsthalle frankfurt promises to peak behind the scenes of the art world.
of course we happily join the party!
together with a team of experts miss.gunst will sound out the situation.

the experts: Chiara Freichel, Michelle Hembury, Lilli von Bebenburg und Timon Fahl.

playlist:
Gudrun Gut: Paula fliegt (Music For Children - Bruchstücke - 2003) - Chicks on Speed: Culture Vulture (99 cent - Chicks on Speed/EMI - 2003) - Ellen Allien Alles Sehen / Miss Kittin Remix (Alles Sehen Remixes - Bpitchcontrol - 2006) - Peaches: Talk to me (I feel Cream- XL Recordings / Indigo - 2009) - Miss Kittin & The Hacker: 1000 Dreams Original Mix (1000 Dreams - Nobody’s Bizzness - 2009)

credits:
miss.gunst wants to thank all contributing artists.
special thanks to Chiara Freichel, Michelle Hembury, Lilli von Bebenburg and Timon Fahl from Anna-Schmidt-Schule Frankurt am Main, Dorle Schmidt, Projekt Kulturfoscher! PWC-Stiftung
and Schirn Kunsthalle Frankfurtam Main.

minutes & minuets (encore)
radia #217 18 minutes + radia #67 mishmash

da radia #218 liebevoll vorbereitet von radio grenouille marseille, aber leider nicht sendefähig ist, wird die radiator x-sendung vom 05.06.2009 wiederholt. neues aus dem radia radiokunst-netzwerk gibt’s dann wieder in der kommenden woche ff.

…

im takt und aus dem takt.
beides lädt eher zum lauschen denn zum tanz.

im ersten teil der sendung stuecke, die auf fragmente verweisen.
im zweiten teil fragmente, die auf stuecke verweisen.

credits und hintergrundinformationen: siehe unten

[english]

please note:
as radia show #218, prepared by radio grenouille marseille, is not really ready for broadcast, playing again this week is the radiator show from june 5th, 2009.
we hope you nevertheless enjoy - and join again next week ff to listen to sounds never heard before on this frequency…

…

in measures and out of measure. minutes and minuets.
in both cases an invitation to listen rather than an invitation to dance.

in the first part of the show pieces refering to fragments.
in the second part fragments refering to pieces.

on “18 minutes”:

“Klubradio presents the work of music and sound designer Kevin Malone. In this series, Malone presents Fast Forward, 18 Minutes and Changing For You. Fast Forward, a string quartet of obsession and velocity leads into 18 Minutes, a concerto for two double basses and string orchestra. 18 minutes is the amount of time that elapsed between the collisions of the World Trade Center towers in New York City on September 11th, 2001. The voices heard on this piece provide the pitches and rhythms of the melodies. They are the spontaneous exclamations of people who witnessed the collisions.” [D.M.]

credits
miss.gunst would like to thank the following artists and sound collectors:
jovica for the space machine, corsica s for some beautiful radiator sounds;
kevin malone and klubradio, berlin, for transforming minutes into minuets;
the team from radio lemurie taz, praha, for transforming minuets into minutes;
as well as radia.fm radio art network for being a crowd of incredibly creative partners.

minutes & minuets
radia #217 18 minutes + radia #67 mishmash

im takt und aus dem takt.
beides lädt eher zum lauschen denn zum tanz.

im ersten teil der sendung stuecke, die auf fragmente verweisen.
im zweiten teil fragmente, die auf stuecke verweisen.

credits und hintergrundinformationen: siehe unten

[english]

in measures and out of measure. minutes and minuets.
in both cases an invitation to listen rather than an invitation to dance.

in the first part of the show pieces refering to fragments.
in the second part fragments refering to pieces.

on “18 minutes”:

“Klubradio presents the work of music and sound designer Kevin Malone. In this series, Malone presents Fast Forward, 18 Minutes and Changing For You. Fast Forward, a string quartet of obsession and velocity leads into 18 Minutes, a concerto for two double basses and string orchestra. 18 minutes is the amount of time that elapsed between the collisions of the World Trade Center towers in New York City on September 11th, 2001. The voices heard on this piece provide the pitches and rhythms of the melodies. They are the spontaneous exclamations of people who witnessed the collisions.” [D.M.]

credits
miss.gunst would like to thank the following artists and sound collectors:
jovica for the space machine, corsica s for some beautiful radiator sounds;
kevin malone and klubradio, berlin, for transforming minutes into minuets;
the team from radio lemurie taz, praha, for transforming minuets into minutes;
as well as radia.fm radio art network for being a crowd of incredibly creative partners.

list(en)ing
radia #216 lists of things + radia #48 hunger

listen.
im ersten teil: als sammlung. säuberlich notiert. zusammengebracht. gespeichert. und zu gehör gebracht.
letzteres auch im zweiten teil. allerdings anders. kein wunder, wenn man hunger hat…

credits und hintergrundinformationen: siehe unten

[english]

lists.
in the first part: as a collection. neatly pinned down. collected. saved. and brought to your ears.

“lists of things i forgot to remember.

CKUT’s Radia collective did:
- made a list of ideas
- choose the idea about lists
- compiled lists
- spent hours piecing those lists together
- pressed save

Contributors include: Juliet Lammers, Neil Griffith, Cathy Inouye, Vanessa Lundgren, Liz Pieries, Courtney Kirkby and Rachel Ni Chiunn.” [C.K.]

in the second part: done in a different way. no wonder in case you are really hungry.
but listen yourself…

credits
miss.gunst would like to thank the following artists and sound collectors:
jovica for the space machine, corsica s for some beautiful radiator sounds;
the team of radio ckut, montreal, for making lists;
sarah washington from resonance, london, for making us listen;
as well as radia.fm radio art network for being a crowd of incredibly creative partners.

counting (forever)
radia #215 counting years + radia #57 and now eternity

zeit zählen.
von jetzt an zurück in die vergangenheit - weil du nicht weisst, auf welche zukunft du zählen kannst?
oder gleich gar nicht mehr zählen - weil sich von der unendlichkeit so ohnehin nicht erzählen lässt?

zwei mögliche antworten auf diese fragen:
auf die erste von einwohnerInnen zweier flüchtlingslager in amman, die von jörg köppl und peter zazek in zusammenarbeit mit fawzy emrany eingeholt worden sind.
und auf die zweite von lemurone, radio lemurie. keine zählung - aber möglicherweise doch eine erzählung.
in klang.

credits und hintergrundinformationen: siehe unten

[english]

counting time.
from now on backwards - as you never now how to count on the future?
or not counting anymore anyway - for eternity is not calculable in the end?

two possible answers to these questions:
to the first one by inhabitants of two refugee camps in amman, jordania. collected by jörg köppl, peter zazec, and fawzy emrany.
to the second one by lemurone from radio lemurie. not a counting, but rather an acount. in sound.

on “counting years”:

counting years is based on a radio and sound art project that took place in 2007 in amman, the capital city of jordan, in the framework of ‘no condition is permament’- an art project in public space initiated by the swiss artist rayelle niemann.
it is for the first time that ammann encouners interventions in public space, conducted by artists from jordan, egypt, palestine, lebanon, and switzerland.

during their stay of one month jörg köppl and peter zazec worked together with the artist fawzy emrany from gaza - and people from palestine living in two of the thirteen long term refugee camps existing in jordan.
the three artists asked inhabitants of the camps - some of them being already the third generation growing up in jordan - to count years, starting with the year of their birth into the future and finishing with a year oft their personal choice.
the voices were sorted by duration of counting and piled together to a show that was broadcasted on radio ammannet, the first internet radio of the arab world (founded in 2000).
for a second version, the piece was enriched with the jingle the small gas delivery trucks in amman use, and played for two days via the speakers of two of these trucks.

the piece for radia is the third version, a radio edition created by jörg köppl in april 2009 for radiator x - radio art @ radio x and radia.fm.
special thx by miss.gunst for the collaboration!

credits
miss.gunst would like to thank the following artists and sound collectors:
jovica for the space machine, corsica s for some beautiful radiator sounds;
jörg köppl, peter zazec, fawzy emrany and the inhabitants of the camps for counting for us;
lemurone from radio lemurie taz, prague, for bringing us closer to eternity;
as well as radia.fm radio art network for being a crowd of incredibly creative partners.

here and there (fragments)
radia #214 IT solaris + radia #60 join the caravan

an einem anderen ort zu einer anderen zeit.
zukunft oder vergangenheit?

in die radiophone gegenwart gebracht von johannes krause und claus stoermer mit ITsolaris, einer collage aus erinnerungsfragmenten an die verfilmung der gleichnamigen erzählung von stanislav lem durch andrej tarkowskij.
sowie durch ein klangmosaik des teams von radio tilos: join the caravan.

credits und hintergrundinformationen: siehe unten

[english]

another place, another time.
past or future?

brought into radiophonic presence by johannes krause and claus stoermer with ITsolaris, a collage made from fragments of memories triggered by andrej tarkowskij’s film based on the novel of stanislav lem.
and with sound tesselations created by the team of radio tilos’ join the caravan.

credits
miss.gunst would like to thank the following artists and sound collectors:
jovica for the space machine, corsica s for some beautiful radiator sounds;
johannes krause, claus stoermer, ralf wendt and radio corax, halle, for traveling with us through fragments of a lost world;
the team from join the caravan and radio tilos for bringing us to an archipel of found sound;
as well as radia.fm radio art network for being a crowd of incredibly creative partners.

da capo: relational (audio)

miss.gunst weilt andernorts, weshalb noch einmal ins studio von william furlong eingeladen wird. als geisterstimmen mit von der partie: achim lengerer, dani gal, william furlong und viele andere künstlerInnen. sowie natürlich miss.gunst…

anfang der 1970er jahre begann der britische künstler william furlong damit, das terrain der zeitgenössischen kunst in form von audio-aufnahmen zu kartieren.
für ihr projekt “relational view” haben achim lengerer und dani gal william furlong in seinem archiv der stimmen und klänge besucht und die aufzeichnungen wiederum in einen klangraum transformiert.
achim lengerer ist bei GUNST zu gast. den klangraum hat er mitgebracht.

credits und hingtergrundinformationen: siehe unten

[english]

miss.gunst is musing elsewhere. therefore, we invite you again to join us for a studio visit at william furlong’s.
with the ghost voices of: achim lengerer, dani gal, william furlong, and many other artists. and,of course, miss.gunst…

in the early 1970ies the british artist started to map the terrain of contemporary art by collecting acoustic data. his recordings and interviews became the medium of his artistic practice and the basis of a life long research.
for their project “relational view” achim lengerer and dani gal visited william furlong in his archive of sounds and voices. later the recordings of this visit were transformed into an audio space.
today achim lengerer will join us in the studio. together we’ll enter the room.

find more info on “relational view” at smart project space www.smartprojectspace.net/works/2303.xml

credits:
this show is dedicated to william furlong.
great many thanks to achim lengerer!

waves (by day / by night)
radia #213 wave farm + radia #57 lunatic

wellenreiten.

tagsüber auf und mit der wave farm von radio free103point9 new york, das internationale radio-künstlerInnen zur zusammenarbeit mit vögeln, fröschen und anderen auf dem hauseigenen terrain beheimateten tieren eingeladen hat.
des nachts findet die fortsetzung dann in prag bei radio lemurie taz statt, wo ladislav zelezny die archive eines mondsüchtigen für uns öffnet.

credits und hintergrundinformationen: siehe unten

[english]

riding waves.

during the day with and at free103point9’s wave farm, where international radio artists have been invited to collaborate with birds, frogs, and other inhabitants of the local home yards…

“Transmissions are picked up by all sorts of radios and microphones, and mixed with works by Tom Roe, Maria Papadomanolaki, Scanner, Evidence, Stars Like Fleas, and Feathers. Day turns to night, and back into day, in this audio documentary of radio art made at Wave Farm.” [T.R.]

… and during the night we continue in prague, where ladislav zelezny from the lemurie brotherhood opens the archives of a lunatic for us.

credits
miss.gunst would like to thank the following artists and sound collectors:
jovica for the space machine, corsica s for some beautiful radiator sounds;
tom roe and the artists working on free103point9’s wave farm;
ladislav zelezny from the lemurie brotherhood;
as well as radia.fm radio art network for being a crowd of incredibly creative partners.

radia #212 stiller marktschrei + radia #92 noizebazar

zwei marktbesuche in wien.

zunächst wird der brunnenmarkt belauscht - was sich ungeachtet des munteren treibens als erstaunlich stille angelegenheit erweist.
im anschluss steht daher als komplement eine neuerliche visite des noizebazar an…

und als special: ein kleiner geburtstagsgruss von und für radia.fm

credits und hintergrundinformationen: siehe unten

[english]

visiting markets in vienna.

starting with listening to the brunnenmarkt (’fountain market’) - regarding the lively place as such, an astonishingly calm experience:

“Time-transformations are obliged to music and sonic reception. […] On July
19th 2008 the soundartist Stephan Roth focussed his microphones for 12 hours soberly onto the Brunnenmarkt in Vienna, a local fruit- and vegetables market. He subverts gently the receptiveness of the listeners by transforming the 12 hours recording footage into one slow dynamic wave of 27minutes. Transformation without reduction.” [S.R.]

thus continuing with another walk over the noizebazar seems to be a good idea.

“you will hear the sounds of the fermentation process of the tinctura artis, an art project of the gryasnaya galerya (petersburg) at the institute for transacoustic research (vienna). very pure.” [mdc]

as a special insert: a birthday jingle by and for radia.fm!

credits
miss.gunst would like to thank the following artists and sound collectors:
jovica for the space machine, corsica s for some beautiful radiator sounds;
stefan roth, mikhael a crest and radio orange, vienna, for the wonderful walks to vienna’s markets;
barbara kaiser and lale rodgarkia-dara for the audio flowers and birthday cake;
as well as radia.fm radio art network for being a crowd of incredibly creative partners.