Digital Dust Diaries
The project is dedicated to digital dust collection and what might be called a media archeology in the broadest sense; subjects of research include a wide spectrum of (para)phenomena, instable, dead and undead media, their apparitions and their dispersion.
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in [fundus], [gunst], [schaufenster]
tags: alltagskultur, alltagstechnologien, analogital, archive, archives, art & hermetism, art & media, art & occult traditions, art & science, art history, bild & imagination, commons, cultural history, cultural studies, death, death culture, digital culture, digital decay, digital media, digitale kultur, digitale medien, digitaler verfall, dinge, displays, electronic art, electronic arts, electronic culture, electronic music, elektronische kultur, elektronische kunst, elektronische musik, erfindungen, erinnerung, erzählen, esoteric traditions, esoterische traditionen, everyday cultures, everyday technologies, film, fotografie, geschichten & geschichte, hermeticism, hermetik, history of science, image & imagination, information technologies, informationstechnologien, inventions, (in)visibility, knowledge, knowledge cultures, kulturgeschichte, kulturwissenschaften, kunst & hermetik, kunst & medien, kunst & okkulte traditionen, kunst & wissenschaft, kunstgeschichte, material, material culture, materielle kultur, media, media archaeology, media cultures, media history, media theory, medien, medienarchäologie, mediengeschichte, medienkulturen, medientheorie, medienwissenschaft, memory, nachhaltigkeit, net art, net culture, net cultures, network cultures, netzkultur, netzkulturen, netzkunst, objects, objects & things, objekt, objekte/sachen/dinge, occultation, occultism, okkultation, okkultismus, performance, photography, popular culture, popular science, populärkultur, recycling, science fiction, stories & histories, storytelling, sustainability, technologie, technology, things, time, tod, totenkultur, (un)sichtbarkeit, veranschaulichung, verdunklung, wissen, wissenschaftsgeschichte, wissenskulturen, zeit
ad sanctos, apud ecclesiam
"ad sanctos, apud ecclesiam. eine predigt zur kunst" ("ad sanctos, apud eccesiam. a sermon on art") was released in 2000 as a lecture/performance and later transformed into a hypertext format.
the subject of the sermon are the parallels between the perception (and production) of "the saint" and the perception (and production) of "the artist" in society.
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in [fundus], [gunst]
tags: art & society, art history, artists' myths, bild & imagination, communication, cultural history, image & imagination, institutionen, institutions, kommunikation, kulturgeschichte, kunst & gesellschaft, kunstgeschichte, künstlermythen, performance, topologien, topologies, vermittlung
encyclopedia of stolen ideas
Who owns ideas? Can ideas be owned – just like material things? Obviously, the notion of "ownership" is quite problematic in this context.
The "encyclopedia of stolen ideas" is an online platform to reflect upon these issues.
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in [fundus], [gunst], [schaufenster]
tags: analogital, art & economy, art & society, art history, artists' myths, authorship, autorschaft, commons, communication, cultural history, digital culture, digitale kultur, institutionen, institutions, kommunikation, kulturgeschichte, kunst & gesellschaft, kunst & ökonomie, kunstgeschichte, künstlermythen, media, medien, net cultures, netzkulturen, vermittlung
panem@circenses
"panem@circenses" (or in short: p@c) deals with the operating system(s) of art in the society. it is conceived as an online infobase and learning platform. the basic structure delivers a set of terms stemming from the roman circus (as a site created for the amusement of the plebs), each of which is set in parallel to one part of the system of contemporary art.
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in [fundus], [gunst], [schaufenster]
tags: art & economy, art & society, art history, artists' myths, bildung, communication, curating, education, institutionen, institutions, kommunikation, kunst & gesellschaft, kunst & ökonomie, kunstgeschichte, künstlermythen, kuratieren, topologien, topologies, vermittlung
museum of missing links
the museum of missing links was founded in spring 2000 for the purpose of collecting and researching on data of sites neticens once bookmarked as their favorites but later ended up as broken links, and to introduce surfers to a once estimated part of the world wide web that otherwise will be lost in time and space.
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in [fundus], [gunst], [schaufenster]
tags: art history, cultural history, digital culture, digitale kultur, kulturgeschichte, kunstgeschichte, media, media archaeology, medien, medienarchäologie, net cultures, netzkulturen
VIATICO (viatico arte per i bambini)
VIATICO (viatico arte per i bambini | viatico arte for children) was my contribution to the third part of the exhibition project "VIATICO DI ARTE E CRITICA", that opened wednesday, the 1st of march 2000 at the CHANGE studio d'arte contemporanea / associazione culturale project room at Rome, Italy.
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in [fundus], [gunst]
tags: art & society, art history, bildung, communication, cultural history, education, institutionen, institutions, kommunikation, kulturgeschichte, kunst & gesellschaft, kunstgeschichte, topologien, topologies, vermittlung
Wie man den Kindern die Kunst erklärt | Help your child to understand art
"Wie man den Kindern die Kunst erklärt" is a small brochure. As its (sub-)title, "helfen sie ihrem kind, die kunst zu verstehen" ("Help your child to understand art"), might already suggest, the text itself is conceived as a kind of advice for parents who are themselves artists, critics, curators, collectors or otherwise involved in the field of arts. Maybe it is even useful for those planning to visit art exhibitions together with their children, or find themselves by accident in a situtation confronted with a work of art, while their children start to ask "mom… dad, can you tell me…".
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in [fundus], [gunst]
tags: art history, artists' myths, bildung, communication, curating, education, institutionen, institutions, kommunikation, kunstgeschichte, künstlermythen, kuratieren, vermittlung